Book Image

The Music Producer's Creative Guide to Ableton Live 11

By : Anna Lakatos
Book Image

The Music Producer's Creative Guide to Ableton Live 11

By: Anna Lakatos

Overview of this book

The Music Producer's Guide to Ableton Live will help you sharpen your production skills and gain a deeper understanding of the Live workflow. If you are a music maker working with other digital audios workstations (DAWs) or experienced in Ableton Live, perhaps earlier versions, you’ll be able to put your newfound knowledge to use right away with this book. You’ll start with some basic features and workflows that are more suitable for producers from another DAW looking to transfer their skills to Ableton Live 11.2. As you explore the Live concept, you’ll learn to create expressive music using Groove and MIDI effects and demystify Live 11’s new workflow improvements, such as Note Chance and Velocity Randomization. The book then introduces the Scale Mode, MIDI Transform tools, and other key features that can make composition and coming up with melodic elements easier than ever before. It will also guide you in implementing Live 11's new and updated effects into your current workflow. By the end of this Ableton Live book, you’ll be able to implement advanced production and workflow techniques and amplify live performance capabilities with what the Live 11 workflow has to offer.
Table of Contents (23 chapters)
1
Part 1: The Live Concept and Workflow
7
Part 2: Creative Music Production Techniques with Ableton Live 11
15
Part 3: Deep Dive into Ableton Live

Parallel Compression

The process of parallel compression (also called New York -style compression) blends a dry audio signal together with a copy of this signal heavily compressed. It can give a really nice excitement and flavor to sounds. It is a widely used technique and can give some real spice to, for example, drums and vocals.

Let’s see how it is done in Live:

  1. Navigate in the Chapter 16 project to the DRUMS track.
  2. Insert a new Return Track. (In this project, this will be Return C.)
  3. Insert the Compressor device onto this new Return Track.
  4. Send the drums via Sends C all the way to the Return Track with the Compressor device on it (Figure 16.14).
Figure 16.14 – The DRUMS track sent all the way to Return Track C

Figure 16.14 – The DRUMS track sent all the way to Return Track C

  1. Now you can hit the Solo button on Return Track C and set up the Compressor device on this Return Track to compress the signal really-really heavily! Go really heavy-handed and over the top with the...