Book Image

The Music Producer's Creative Guide to Ableton Live 11

By : Anna Lakatos
Book Image

The Music Producer's Creative Guide to Ableton Live 11

By: Anna Lakatos

Overview of this book

The Music Producer's Guide to Ableton Live will help you sharpen your production skills and gain a deeper understanding of the Live workflow. If you are a music maker working with other digital audios workstations (DAWs) or experienced in Ableton Live, perhaps earlier versions, you’ll be able to put your newfound knowledge to use right away with this book. You’ll start with some basic features and workflows that are more suitable for producers from another DAW looking to transfer their skills to Ableton Live 11.2. As you explore the Live concept, you’ll learn to create expressive music using Groove and MIDI effects and demystify Live 11’s new workflow improvements, such as Note Chance and Velocity Randomization. The book then introduces the Scale Mode, MIDI Transform tools, and other key features that can make composition and coming up with melodic elements easier than ever before. It will also guide you in implementing Live 11's new and updated effects into your current workflow. By the end of this Ableton Live book, you’ll be able to implement advanced production and workflow techniques and amplify live performance capabilities with what the Live 11 workflow has to offer.
Table of Contents (23 chapters)
1
Part 1: The Live Concept and Workflow
7
Part 2: Creative Music Production Techniques with Ableton Live 11
15
Part 3: Deep Dive into Ableton Live

Hybrid Reverb

As you probably already know, reverb is all around us at all times. When any sound occurs in any space, the sound sends sound waves out in all directions. These sound waves bounce around and reflect off different objects and surfaces we have in our space until the reflections die off. Just think about it; in a soundproofed, smaller, empty studio, if you clap your hands, you will hear very little reverb, if any. However, in a church, or even in your bathroom, you would hear quite a lot of reverb, which will vary based on the size of the space, the surfaces, and the objects around you.

Both reverb and delays are generally great devices to add depth and make our sounds more interesting.

Figure 7.1 – The Hybrid Reverb device

Figure 7.1 – The Hybrid Reverb device

When we record any audio in an acoustically treated, controlled studio environment, we are aiming to record the signal as “dry” as possible, without any reverb or reflections. This will give us the...