Book Image

The Music Producer's Creative Guide to Ableton Live 11

By : Anna Lakatos
Book Image

The Music Producer's Creative Guide to Ableton Live 11

By: Anna Lakatos

Overview of this book

The Music Producer's Guide to Ableton Live will help you sharpen your production skills and gain a deeper understanding of the Live workflow. If you are a music maker working with other digital audios workstations (DAWs) or experienced in Ableton Live, perhaps earlier versions, you’ll be able to put your newfound knowledge to use right away with this book. You’ll start with some basic features and workflows that are more suitable for producers from another DAW looking to transfer their skills to Ableton Live 11.2. As you explore the Live concept, you’ll learn to create expressive music using Groove and MIDI effects and demystify Live 11’s new workflow improvements, such as Note Chance and Velocity Randomization. The book then introduces the Scale Mode, MIDI Transform tools, and other key features that can make composition and coming up with melodic elements easier than ever before. It will also guide you in implementing Live 11's new and updated effects into your current workflow. By the end of this Ableton Live book, you’ll be able to implement advanced production and workflow techniques and amplify live performance capabilities with what the Live 11 workflow has to offer.
Table of Contents (23 chapters)
1
Part 1: The Live Concept and Workflow
7
Part 2: Creative Music Production Techniques with Ableton Live 11
15
Part 3: Deep Dive into Ableton Live

Understanding the differences between Insert Effect Chains and Return Tracks

How we manage our effects in Live will not only impact our speed and how efficient our workflow is but also the CPU usage of our computer.

Effects can be used on a track in serial, meaning you put effects after each other, forming a single effect chain on the track.

This means the first effect’s output will feed into the effect after it, and so on.

However, what if you would like to apply, for example, reverb to a vocal track and a delay without the reverberated signal feeding into the delay device, so the two effects are used in parallel, not affecting each other?

Well, that’s when you could use return tracks and use the effects as “send effects.”

Let’s have a look at this.

In Figure 7.14, you can see that I inserted a Reverb and Delay device onto the vocal track called INSERT in the project.

This is the first scenario that I described previously. The...