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Final Cut Pro Efficient Editing

Final Cut Pro Efficient Editing - Second Edition

By : Iain Anderson
4.8 (17)
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Final Cut Pro Efficient Editing

Final Cut Pro Efficient Editing

4.8 (17)
By: Iain Anderson
Buy this Book

Overview of this book

Elevate your video editing skills with Final Cut Pro 11 using practical workflows, expert techniques, and the latest features to enhance your creative process and give your videos a stunning look. The second edition of this comprehensive guide covers exciting new features in FCP, teaching you how to streamline your workflow with customizable workspaces, shortcuts, and advanced trimming tools. Explore impactful titles and a comprehensive suite of visual effects in Final Cut Pro for dynamic videos, discover Final Cut Pro's audio tools to create a great-sounding mix, and utilize the magnetic timeline, multicam editing, and enhanced color correction for every project. Whether you're creating content for social media, YouTube, or Hollywood, Final Cut Pro Efficient Editing, Second Edition will help you take your video editing skills to the next level.
Table of Contents (19 chapters)
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Preface
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Preface
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Who this book is for
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Share your thoughts
1
1 Quick Start: An Introduction to FCP
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1 Quick Start: An Introduction to FCP
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A brief history of editing
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Interface basics
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An editing workflow overview
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Workflow
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Hardware recommendations
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Summary
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Review questions
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Review answers
Lock Free Chapter
2
2 Before the Edit: Production Tips
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2 Before the Edit: Production Tips
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Getting the settings right
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Choosing a camera
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Shooting the right shots
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Working with multiple cameras and audio recorders
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Managing everything on set
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Summary
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Review questions
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Review answers
3
3 Bring It In: Importing Your Footage
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3 Bring It In: Importing Your Footage
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Creating a Library (in the right place)
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Understanding original, optimized, and proxy footage
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Importing media in different ways
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Syncing media from multiple devices
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Understanding and applying Roles
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Summary
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Review questions
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Review answers
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Join us on Discord!
4
4 Sort It Out: Reviewing and Keywording
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4 Sort It Out: Reviewing and Keywording
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Reviewing your media
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Browser view options
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Playback shortcuts
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Examining metadata
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Understanding and applying Keywords
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Searching with Keywords
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Summary
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Review questions
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Review Answers
5
5 Choose Your Favorites: Selecting, Rating, and Searching
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5 Choose Your Favorites: Selecting, Rating, and Searching
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Selecting part of a clip
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Rating as a Favorite
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Rating as Rejected
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Storing additional information
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Advanced searches
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Summary
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Review questions
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Review answers
6
6 Build the spine of the story: Quick Assembly
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6 Build the spine of the story: Quick Assembly
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Creating a new Project
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Adding your media in a few different ways
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Rearranging your clips
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Basic trimming with the Magnetic Timeline
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Blading and deleting
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Duplicating Projects
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Summary
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Review questions
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Review answers
7
7 Cover It Up: Connections, Cutaways, and Storylines
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7 Cover It Up: Connections, Cutaways, and Storylines
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Understanding cutaways
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Connecting clips
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Grouping connected clips in Storylines
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Controlling and overriding connections
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Three-point editing and more
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Summary
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Review questions
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Review answers
8
8 Neaten the Edges: Trimming Techniques
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8 Neaten the Edges: Trimming Techniques
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Rolling an edit
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Slipping and Sliding clips
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Softening audio with split edits (J- and L-cuts)
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Editing numerically and with the precision editor
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Summary
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Review questions
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Review answers
9
9 Consider Your Options: Multicam, Replacing, and Auditions
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9 Consider Your Options: Multicam, Replacing, and Auditions
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Working with Multicam media
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Exchanging one clip with another
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Creating and using Auditions
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Summary
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Review questions
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Review answers
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Join us on Discord!
10
10 Explore a Little: Compound Clips and Timeline Tricks
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10 Explore a Little: Compound Clips and Timeline Tricks
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Creating and using Compound Clips
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Low-level relinking
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More tricks with tools
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Adding and navigating with Markers
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Using the Timeline Index
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Summary
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Review questions
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Review answers
11
11 Play with Light: Color Correction and Grading
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11 Play with Light: Color Correction and Grading
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Understanding the color workflow
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Correcting white balance, exposure, and saturation
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Adjusting Saturation with the Color Board
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Finessing contrast and more
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Selective corrections
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Advanced color techniques
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Summary
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Review questions
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Review answers
12
12 Refine and Smooth: Video Properties and Effects
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12 Refine and Smooth: Video Properties and Effects
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Adjusting video properties
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Animating with keyframes and tracking
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Applying and using video effects
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Summary
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Review questions
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Review answers
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Join us on Discord!
13
13 Blend and Warp: Video Transitions and Retiming
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13 Blend and Warp: Video Transitions and Retiming
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Applying and editing transitions
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Retiming basics
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Speed ramping and more
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Summary
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Review questions
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Review answers
14
14 Boost the Signal: Audio Sweetening
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14 Boost the Signal: Audio Sweetening
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Recording and editing a voiceover
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Adjusting volume levels
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Audio Enhancements
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Applying and using audio effects
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Using Roles with audio
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Summary
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Review questions
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Review answers
15
15 A Few Words: Titles and Generators
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15 A Few Words: Titles and Generators
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Adding and editing titles
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Advanced title techniques
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Adding and editing generators
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Captioning and subtitles
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Summary
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Review questions
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Review answers
16
16 You’re Done: Exporting Your Edit and Finishing Up
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16 You’re Done: Exporting Your Edit and Finishing Up
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Preparing for sharing
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Exporting, uploading, and distributing your video
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Exporting for further production
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Archiving your work
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What’s next?
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Summary
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Final words
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Review questions
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Review answers
17
Index
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Index
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Download a free PDF copy of this book
1
Appendix A: 360° Video Workflows
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Appendix A: 360° Video Workflows
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Introduction
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Understanding 360° cameras
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Processing your footage
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Editing 360° footage in a 360° timeline
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Editing 360° footage in a regular timeline
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Summary
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Why subscribe?
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Share your thoughts

Controlling and overriding connections

Normally, when you move a Primary Storyline clip around, any connected clips will move too. That’s because the clip-to-clip connection is usually the most important, and it’s what FCP tries to maintain. Sometimes, though, you want to keep a connected clip exactly where it is, and this section will show you a couple of techniques to do that.

First, if you want to connect a clip at a different point, hold ⌥⌘ and click on the connected clip. The connection will now be shifted to the clicked point in time, connecting to the clip on the Primary Storyline at that timecode. The same applies to Storylines, but you’ll have to hold ⌥⌘ and click in the gray bar just above the clips instead:

Figure 7.23: Here, the connection has been moved to the second clip in the Primary Storyline rather than the first

Figure 7.23: Here, the connection has been moved to the second clip in the Primary Storyline rather than the first

Moving connections like this lets you change which Primary Storyline...

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