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  • Book Overview & Buying Photographic Rendering with V-Ray for SketchUp
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Photographic Rendering with V-Ray for SketchUp

Photographic Rendering with V-Ray for SketchUp

By : Brian Bradley
3.3 (13)
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Photographic Rendering with V-Ray for SketchUp

Photographic Rendering with V-Ray for SketchUp

3.3 (13)
By: Brian Bradley
Buy this Book

Overview of this book

Table of Contents (18 chapters)
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Photographic Rendering with V-Ray for SketchUp
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Photographic Rendering with V-Ray for SketchUp
Credits
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Credits
About the Author
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About the Author
Acknowledgement
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Acknowledgement
About the Reviewers
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About the Reviewers
www.PacktPub.com
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www.PacktPub.com
Preface
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Preface
Lock Free Chapter
1
Diving Straight into Photographic Rendering
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Diving Straight into Photographic Rendering
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What this chapter is all about
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Good composition is the foundation of photographic rendering
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Materials that make us believe!
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Render settings for final output
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Summary
2
Lighting an Interior Daytime Scene
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Lighting an Interior Daytime Scene
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Looking at our SketchUp scene
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Defining our goals
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The lighting workflow
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Sunlight is our key light
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Skylight is our fill light
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Summary
3
Lighting an Interior Nighttime Scene Using IES Lights
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Lighting an Interior Nighttime Scene Using IES Lights
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Taking a look at our SketchUp file
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Defining our goals
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The lighting process
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Starting with a blank canvas
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Adding some much-needed ambience
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Layering up our IES lights
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Evaluating the render with all lights enabled
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Previsualizing image corrections using V-Ray FrameBuffer
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Summary
4
Lighting an Exterior Daylight Scene
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Lighting an Exterior Daylight Scene
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Setting up our SketchUp file
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Reference and observation
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The lighting process
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Sunlight is the key
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Filling in with skylight
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Tweaking exposure
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Summary
5
Understanding the Principles of Light Behavior
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Understanding the Principles of Light Behavior
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The SketchUp files
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Defining our goals
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How light behaves
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Understanding light decay
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Using color temperature
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The cause of color bleeding
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Summary
6
Creating Believable Materials
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Creating Believable Materials
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Getting started with our materials
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Using a SketchUp material to create our diffuse floor coloring
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Using the V-Ray Standard material
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Creating the wall paintings using bitmaps
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Art sculpts – import vismat
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Your challenge
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Summary
7
Important Materials Theory
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Important Materials Theory
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Defining our goals
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Light and material interaction – why objects in the real world have color
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How absorption, reflectance, and transmittance work
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The importance of R, G, and B in the digital realm
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Light and material interaction – what is reflectivity?
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Light and material interaction – the transmittance effects
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The importance of energy-conserving materials
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What we have accomplished?
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Summary
8
Composition and Cameras
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Composition and Cameras
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Defining our goals
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Deciding the shot type
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Aspect ratios
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The requisite maximum resolution
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How focal length affects composition
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Setting up scene views for final shot rendering
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Summary
9
Quality Control
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Quality Control
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Defining our goals
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Fine-tuning scene lighting
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Cleaning up our GI solution
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Working with the Image sampler controls
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Improving our materials
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Outputting the final renders
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Determining the order of quality control steps
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Summary
10
Adding Photographic Touches in Post-production
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Adding Photographic Touches in Post-production
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Defining our goals
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Setting up After Effects
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Importing our footage
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Dealing with the lighting hotspots
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Boosting the floor reflections
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Adding a subtle DOF to shift focus
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Adding subtle relighting
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Boosting the glass reflections a little
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Final color corrections
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Adding a subtle vignette effect
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Summary
1
Index
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Index

The cause of color bleeding

Color bleed, as discussed in the context of architectural visualization renders, is not the product of colored lights in a scene as per our previous exercise. Rather, it is a phenomenon caused by the interaction of physically accurate lights, V-Ray's Global Illumination systems, and also physically accurate materials in the scene.

In the real world, color bleed (also known as indirect diffuse illumination) is an effect that occurs as light is bounced from one surface to another. As the light leaves one surface, it takes a little bit of the object's diffuse coloration along with it. This is then mixed with or added to the color of the next surface the light interacts with, and it goes on with the travelling light essentially creating a color reflection or bounce effect.

Color bleed – exercise one

To see color bleed in action, take a piece of white, non-reflective cloth or paper and place a strongly-colored object on it. Better still, coat a shallow box with the white...

Visually different images
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Tech Concepts
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Programming languages
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Photographic Rendering with V-Ray for SketchUp
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