Book Image

ZBrush 4 Sculpting for Games: Beginner's Guide

By : Manuel Scherer
Book Image

ZBrush 4 Sculpting for Games: Beginner's Guide

By: Manuel Scherer

Overview of this book

ZBrush is a fantastic tool for creating models for use in computer games. Using a wide range of powerful tools you can create models for vehicles, props, environments, and characters. This book makes creating game art in ZBrush fast and easy. It covers everything you need to create models of all kinds for your game projects, even if you've never used ZBrush before. Built around four complete ZBrush projects, the book gives you everything you need to sculpt props, vehicles, and creatures in ZBrush. You'll start by creating a "spooky tree" model, mastering the sculpting, texturing, and decoration skills that are essential for all ZBrush topics. Next you'll move to man-made objects with a sci-fi drone. Next you'll see how to sculpt monsters and other creatures, deal with cloth and other soft materials, and prepare the model to become an animated, controllable character in a game. The final project returns to machines, building a complete, detailed spaceship for use in your sci-fi games.
Table of Contents (24 chapters)
ZBrush 4 Sculpting for Games
Credits
About the Author
About the Reviewers
www.PacktPub.com
Preface

Working in the field of digital art


The most important thing about working in digital art seems to be very obvious but is often overlooked. It's a form of art and it should also be treated this way. This is something that you should have in mind when working on 3D game models or even concept art, because things such as color and composition will always be part of your work, even if not addressed explicitly.

This doesn't mean that you have to be the world's best painter to start in game art, but just think of your work as art, and also apply the rules of art to it.

Although job positions in game production include the term "artist", for example "concept artist" or "character artist", it is still a field that combines technical and artistic knowledge, and sometimes one outweighs the other.

ZBrush is a very good example of how creating digital art becomes less technical, so more and more people are able to give it a try. As this becomes easier and easier, the real distinction between digital artists will lie in their artistic capability, not their technical knowledge.

If you already have some experience in drawing or painting or even sculpting, it will be even easier for you to use ZBrush. I personally believe that if you can draw it, you can also sculpt it in ZBrush, because both mediums have so much in common.

Like every skill, creating art requires practice. We'll address decisions made out of artistic reasons in this book, so you can decide if you follow them, or alter the examples to your own imagination. Because at the end of the day, it all comes down to being able to give reasons for your decisions.