Book Image

Inkscape Beginner's Guide

By : Bethany Hiitola
Book Image

Inkscape Beginner's Guide

By: Bethany Hiitola

Overview of this book

Learning to use Inkscape, an exciting open-source vector graphics program, broadens your software toolkit as a graphic designer. Using practical, real-world examples, you'll learn everything about the software and its capabilities so you'll be able to design anything from logos to websites.Inkscape Beginner's Guide is a practical step-by-step guide for learning this exciting vector graphics software. Not only will it take you through each menu item and toolbar, but you will also learn about creating complex shapes, text styling, filters, working with images, extensions, and the XML editoróall using real world examples.The book starts with an overview of vector graphics and how best to use them when designing for digital and print mediums. Then we install Inkscape and start learning all the ins and outs of the software. You'll build your first vector graphic while learning best practices for using layers, and build simple and complex objects with shapes and paths that will ultimately become exciting graphics to be used in your designs. Beyond designing sample logos and brochures while learning the software, you'll also learn how to use filters, install and use extensions, and the ins-and-outs of SVG and the XML Editor in Inkscape.
Table of Contents (18 chapters)
14
B. Keyboard Shortcuts
15
C. Glossary of Terms
17
Index

Clipping and masking

Another way of joining objects is to use clips and masks. These features are used to determine which parts of an object are visible. Clips define what areas of another object are fully visible. Technically speaking, Inkscape takes the top object's path in and clips all the paths below it (in the selection) to the shape of the top path.

When you use a mask it visually crops objects with transparent areas to become fully transparent in the masked object, white areas become fully opaque, and all other colors translate into different levels of opacity in the masked object. To make sure this is clear, we'll do a few exercises.