Book Image

Blender 2.5 Character Animation Cookbook

Book Image

Blender 2.5 Character Animation Cookbook

Overview of this book

Blender is an open source 3D graphics application that can be used for modeling, rigging, animating, rendering and thousands of other things. While modeling characters isn't the biggest of your worries, animating them to make them feel as-good-as alive is what differentiates a professional from an amateur. This book offers clear, illustrative, and easy-to-follow recipes to create character rigs and animations for common situations. Bring your characters to life by understanding the principles, techniques and approaches involved in creating rigs and animations, you'll be able to adapt them to your own characters and films. The book offers clear step-by-step tutorials, with detailed explanations, screenshots and support files to help you understand the principles behind each topic. Each recipe covers a logical step of the complete creation of a character rig and animation, so you're not overwhelmed with too much information at once. You'll see numerous examples and screenshots that guide to achieve various rigging and animation tasks, logically separated so you can understand each in detail. The rigging topics are divided by each region of the body (torso, limbs, face, eyes), and further separated by the specific topic (neck, fingers, mouth, eyelids, etc) for clarity. All rigging tasks are accomplished with the built-in tools in Blender, without the complexity of coding custom Python behaviors or user interface elements. The animation topics deal with common situations found in real world productions, showing good practices to understand and overcome the challenges.
Table of Contents (19 chapters)
Blender 2.5 Character Animation Cookbook
Credits
About the Author
Acknowledgements
About the Reviewers
www.PacktPub.com
Preface
Index

Animating in layers


If you're animating a character for the first time, you'll likely start by moving several bones and posing your character in the timeline until you're happy with the movements. That's quite similar to the "straight ahead" method in traditional 2D animation: this method is where you draw one frame after the other until you complete your animation, and it can enable you to achieve very expressive and fluid movements.

There's nothing "wrong" with that approach, but you may find yourself in trouble if you need to make changes to your scene after you have made all the poses. A good way to avoid such trouble and get a quicker feel of what your animation will look like before it's finished is working in "layers". If we keep the analogy of the traditional principles of animation, this method is more related to the "pose to pose" approach, where you define the key poses first, and then add the intermediate drawings.

Note

A quick intro to the 12 basic principles of animation can be...