Book Image

LMMS: A Complete Guide to Dance Music Production

By : David Earl
Book Image

LMMS: A Complete Guide to Dance Music Production

By: David Earl

Overview of this book

You've scoured the forums, watched the tutorial videos, and done everything you can to learn the secrets of the art of making dance music. Everyone is saying something different about how to get into producing your own projects. This book will help connect the dots and lay a solid foundation of knowledge so you can get beats banging out of LMMS.This book will show you the ins and outs of making Dance music with LMMS. Do you make house, trance, techno or down-tempo? After this book you'll be able to make a song that stands out from the masses, using time honoured tricks of the trade. From inception to conception, this book will help give you a workflow to channel your muse using LMMS.Readers will be given a brief lesson on the best of dance music history, then learn how to recreate it using the Open Source digital workstation - LMMS. The reader will be guided through creating a project from start to finish. By the end of this book, the reader will know how to create a full dance track in LMMS and make it ready for distribution.Along the way, readers will take short stops into music theory, song arranging, recording, and other related information to give them a good foundation for making dance music with depth as well as power. Reading LMMS: A Complete Guide to Dance Music Production will not just teach the reader how to use LMMS, but also how good dance music is crafted. The reader will not just be taught how to make decisions in LMMS, but when and why. After devouring this book, the reader should be able to focus on his or her creativity, with LMMS as a co-conspirator in the process of making great dance music.
Table of Contents (15 chapters)
14
Index

Ok, now that we're safe from feedback, we have a couple of options. Let's start with recording with a microphone:

  1. Under Preferences, choose Devices, and make sure the device is set to record only one channel or Mono.
  2. Get something to sample. Maybe a cat, dog, or loud sibling.
  3. Grab a mic.
  4. The microphone will need to be plugged into an audio interface that has the ability to boost the microphone's audio signal properly. Also, check to see if the microphone requires Phantom Power. Phantom Power is not some strange mutation. It's a 48-volt power signal that a condenser mic requires to power its capsule properly.
  5. Once the microphone is plugged in, turn up the trim (audio input volume) on the audio interface. Most audio interfaces have a bright red light that flashes when the audio interface is getting too much signal. Don't let the signal get so loud that red lights begin to flash. We want plenty of room to be able to scream or whisper. If we don't have that room, we get clicks, pops, and distortion.
  6. There is a transport bar in Audacity that looks like the following:
    Time for action—recording with a microphone
  7. This is where you can pause, loop, stop, rewind, fast-forward, and record in Audacity.
  8. Grab the thing you are about to record (be careful if it is ) and hit the red 'record' button in the Audacity transport bar.
  9. Audacity will automatically create a new track according to your preferences and start recording. Once the recording is done, you can either mouse over the stop button and hit stop or you can use your space bar to stop. The audio file will then appear in the editing window of Audacity as follows:
    Time for action—recording with a microphone
  10. Samples should never have a lot of space at the top (beginning) of the file. If we want to trigger this sample in a song, then we need to crop the file. Audacity makes this kind of editing very simple.
  11. To zoom in a bit, we need the zoom tool. It looks like a magnifying glass in the upper-left corner of the screen, where our toolbox is located. The toolbox looks like the following:
    Time for action—recording with a microphone
  12. The zoom tool is just underneath the selector tool, which is what we are using right now. Click the zoom tool and select all that dead space before the audio starts. You will get a screen that looks like this:
    Time for action—recording with a microphone
  13. Now use your selector tool to select that area of dead space. You can adjust either side of the selection by holding down the Shift key.
  14. Now hit Delete! We now have a sample that starts right at the first sign of audio:
    Time for action—recording with a microphone
  15. You can also delete dead space from the middle of the file with the same technique.
  16. Ok, we can let go of that poor creature we just sampled and start using this recording. Samples need to be saved to the samples folder in our WORKING directory.
  17. In Audacity, go to File | Export.... We'll choose the 16-bit PCM for the audio file settings to give us a standard wave file. Make sure to save to the WORKING directory on that nice, spacious external drive.
  18. It's recommended to create subdirectories in the samples folder to keep yourself organized. Let's call this sample poor_creature.wav and put it in a subdirectory called Animals.
  19. When that's done, open LMMS, and we will see the sample show up in our handy sidebar!
  20. In LMMS, this is where you'll find your samples:
    Time for action—recording with a microphone
  21. When the sidebar opens up, you'll see the new folder called Animals:
    Time for action—recording with a microphone
  22. And here's our poor creature!
    Time for action—recording with a microphone