Book Image

Apple Motion 5 Cookbook

By : Nicholas Harauz
Book Image

Apple Motion 5 Cookbook

By: Nicholas Harauz

Overview of this book

Let's face it, people like images that move. Whether you see images on a moving billboard, walk into a bank with an LCD screen, watch TV, or surf the Web, motion graphics are everywhere. With an even greater demand to integrate motion graphics in just about every type of video or interactive content there is, this book will help you get there with Motion 5. It's all about creating eye-catching titles, transitions, and effects!"Apple Motion 5 Cookbook" contains exercises for the beginner and seasoned motion graphics user. You will learn how to navigate Motion's interface and quickly grasp the tools available to you while creating sophisticated and sleek animations in both 2D and 3D environments. Not forgetting visual effects, we will also explore motion tracking and green screen techniques that will help you composite like a pro. Let's launch the application, grab a cup of coffee, and get started on this exciting journey!The exercises will take you right from creating your very first Motion project through to export. You will learn how to navigate quickly and efficiently through Motion's complex interface and toolsets so that you can focus oncreating your masterpiece!You will learn how to create a new project and import material into that project from the File Browser and Motion's vast and rich content library. From there, you will learn to manipulate and animate these source files using Motion's behaviors, classic keyframing techniques, adding filters, and master the built-in tools such as particle systems that will knock your socks off! Last but not least, you will export your projects to a variety of different formats including DVD, as a Final Cut Pro generator, and the Web.The "Apple Motion 5 Cookbook" contains downloadable content for each chapter and is packed with screenshots and illustrations. After reading this book, you'll be creating motion graphics and visual effects in no time!
Table of Contents (20 chapters)
Apple Motion 5 Cookbook
Credits
About the Author
Acknowledgement
About the Reviewers
www.PacktPub.com
Preface
Index

Moving and trimming layers in the Timeline and the mini-Timeline


So eventually as Motion graphic designers, we're going to have to animate stuff and part of that battle lies is our ability to move around and adjust layers efficiently in the application.

There are two ways by which we can adjust the timing as well as trim layers in Motion—by using the Timeline and mini-Timeline. The big question is why choose one over the other. As of Motion 5, both areas are displayed as soon as you enter a project. The Timeline will show all of your layers and the relationship those layers have with one another, spread over time.

The mini-Timeline only shows the selected element from the Layers tab (that is, filter, behavior, clip, and so on).

The Timeline is great for making timing adjustments when they revolve around the relation of one layer to another. On the other hand, the Timeline can become a very busy place, very quickly. The mini-Timeline is a great place to focus in on the selected item at hand. Let's have a look at adjusting layers in both the areas.

How to do it...

  1. From this chapter's exercise files, open the 01_08 project.

  2. There are two groups in this project; a text group and background. Press the Space bar to play the project.

  3. This animation was done with behaviors, which we'll explore in Chapter 3, Making It Move with Behaviors. Simply, one text layer fades in after another. Before fixing the timing of the text, you may have noticed that the text appears off alignment. Click on the Disclosure tab for the Text group and click on the THREE layer and Shift + click the ONE layer. From the Object menu select Alignment | Distribute Vertical Centers. Your text is now distributed evenly.

  4. In the following screenshot, you can see the order of our number layers in the Timeline. We want to change the order of the layers by fading in the first layer, followed by the second, and the third. We're going to make our first change in the mini-Timeline. To hide the Timeline temporally, go to Window | Timeline. Select the THREE layer, and from the Mark menu, choose Go To | Selection In Point. We want ONE to begin at 1 second. Select ONE and drag the layer's in-point value until it reads 00:00;01:00.

  5. Move your playhead to the beginning of the Timeline by pressing the home key or Fn + on a laptop. Play the animation. While the ONE layer now fades in at the same time as the THREE layer, you'll notice that it cuts off at the end. Drag the ONE layer's out-point in the mini-Timeline so it lasts till the end of the project.

  6. Let's finish the rest our work in our Timeline. Press Command + 7 to toggle back to the Timeline.

  7. Let's move the THREE layer to where the TWO layer ends. Drag the THREE layer while holding down the Shift key. Wait for its in-point to snap to the TWO layer's out-point and then release the mouse.

  8. Make sure nothing is selected by pressing Shift + Command + A. Type 2, followed by the return to move to the two-second mark. Select the TWO layer and press I to trim its in-point to the playhead.

  9. Press the home key and then the Space bar to check if the timing works. Use the following screenshot to guide you:

There's more...

You can move your playhead by entering in numeric values. It's a good habit to make sure no layer is selected before attempting this operation. Press Shift + Command + A. Now, press Shift + = + 1 + . followed by Enter to move the playhead one second forward. Press + 1 + . and hit Enter to move the playhead one second back, and press 5 + . and hit Enter to move the playhead to approximately five seconds.

You can move layers the same way you move your playhead. Select the layer you want to move in the Timeline and press Shift + =, or the minus symbol, followed by the number of frames or seconds you want to move it by.