Book Image

Mastering Adobe Photoshop Elements 2020 - Second Edition

By : Robin Nichols
Book Image

Mastering Adobe Photoshop Elements 2020 - Second Edition

By: Robin Nichols

Overview of this book

Adobe Photoshop Elements is a raster graphics editor for entry-level photographers, image editors, and hobbyists. Updated and improved to cover the latest features of Photoshop Elements 2020, this second edition includes focused coverage of Adobe's new AI-powered features that are designed to make the editing process more efficient, creative and fun. This book takes you through the complexities of image editing in easy-to-follow, bite-sized chunks, helping you to quickly recognize the editing challenge at hand and use suitable tools and techniques to overcome it. You’ll start by learning how to import, organize, manage, edit, and use your pictures in a format that’s designed for creative photography projects. Throughout this Adobe Photoshop Elements book, you'll discover how to fix different photographic problems using an extensive repertoire of commonly applied solutions. Common processes such as applying artistic effects to creative projects, custom image makeovers, processing images for social media, and other file export methods will also be covered. By the end of this book, you’ll have learned about the impressive tools available in Photoshop Elements 2020, and how it is designed not only for photographers who’d like to dip their toes into the editing world, but also for those wanting simple but effective ideas on how to expand their creativity while remaining time-efficient.
Table of Contents (13 chapters)

The Burn, Dodge, and Sponge tools

The Burn, Dodge, and Sponge tools are probably the best unsung heroes of Elements. Why? Simple: they are easy to use and are very effective.

The Burn and Dodge tools are electronic representations of what I did for years in a black-and-white printing lab. "Burning-in" a photo was a technique for making part of a print darker than the rest of the image, using something such as a cardboard mask with a hole in it to make it happen. After the base exposure was done, I'd continue to expose the print—but only the bits of it that I needed to go darker—by holding the cardboard mask between the enlarger lamp and the photo paper. By gently moving the card mask so that the additional exposure only fell onto the area that I wanted to go darker, I could manipulate the global exposure so that it became a custom exposure. A dodging tool worked in reverse. This was a hand-cut bit of card taped to some wire and held between the enlarger...