Book Image

Mastering Adobe Photoshop Elements 2022 - Fourth Edition

By : Robin Nichols
Book Image

Mastering Adobe Photoshop Elements 2022 - Fourth Edition

By: Robin Nichols

Overview of this book

Managing thousands of images while producing perfectly edited results has now become a must-have skill for bloggers, influencers, all social media users, and photography enthusiasts. Photoshop Elements 2022 has all the right tools to help you manage your growing multimedia assets and significantly boost your creative output. This fourth edition is updated with Elements 2022's latest features, including Adobe's AI-powered tools that perfectly complement its entire creative workflow. Each chapter is designed to help you get the most from your image files in a simple, easy-to-follow way. You'll find out how to add significant visual improvements to your projects using brilliant AI-driven single-click edits or through more complex manual adjustments, all depending on your skill level and requirements. The book is packed with clear instructions to guide you effortlessly through the hundreds of processes, tools, and features in Photoshop Elements 2022. You'll cover everything from developing your organizational skills through to creating remarkable images using photos, text, graphics, downloadable content, animation, and a range of fantastic AI-driven features. By the end of this Photoshop Elements book, you'll have learned how to leverage the impressive tools available in Photoshop Elements 2022 with confidence.
Table of Contents (13 chapters)

Retouching: the Burn, Dodge, and Sponge Tools

The Burn, Dodge, and Sponge Tools are probably the best unsung heroes of Elements. Why? Simple: they are easy to use and are very effective visually.

The Burn and Dodge tools are electronic representations of what I did for years in a black and white printing lab. "Burning-in" a photo was a technique for making part of a print darker than the rest of the image—using something like a cardboard mask with a hole in it to make it happen. After the base exposure was done, I'd continue to expose the print—but only the bits of it that I needed to go darker—by holding the cardboard mask between the enlarger lamp and the photo paper. By gently moving the card mask so that the additional exposure only fell onto the area, I could manipulate the global exposure to that of a custom exposure. The dodging tool worked in reverse—a bit of card taped to some wire and held between the enlarger lamp and photo paper...