Book Image

Mastering Adobe Photoshop Elements 2022 - Fourth Edition

By : Robin Nichols
Book Image

Mastering Adobe Photoshop Elements 2022 - Fourth Edition

By: Robin Nichols

Overview of this book

Managing thousands of images while producing perfectly edited results has now become a must-have skill for bloggers, influencers, all social media users, and photography enthusiasts. Photoshop Elements 2022 has all the right tools to help you manage your growing multimedia assets and significantly boost your creative output. This fourth edition is updated with Elements 2022's latest features, including Adobe's AI-powered tools that perfectly complement its entire creative workflow. Each chapter is designed to help you get the most from your image files in a simple, easy-to-follow way. You'll find out how to add significant visual improvements to your projects using brilliant AI-driven single-click edits or through more complex manual adjustments, all depending on your skill level and requirements. The book is packed with clear instructions to guide you effortlessly through the hundreds of processes, tools, and features in Photoshop Elements 2022. You'll cover everything from developing your organizational skills through to creating remarkable images using photos, text, graphics, downloadable content, animation, and a range of fantastic AI-driven features. By the end of this Photoshop Elements book, you'll have learned how to leverage the impressive tools available in Photoshop Elements 2022 with confidence.
Table of Contents (13 chapters)

Impressionist Brush

Impressionist Brush is fun as it sort of copies your image and paints it directly back into the canvas with large, fuzzy brush strokes, producing something that passes for an impressionist look. You can broaden that look using its Advanced button, which takes you to a range of other brush stroke options, Tolerance settings, and more. I'm not sure what Edouard Manet or Claude Monet might have thought of this process, but with the right image plus textured inkjet paper to print on, the effects can be quite splendid.

I generally set Impressionist Brush Tip to a large size when painting the background, but make the brush smaller when working on the details—otherwise, the photo will just look out of focus or blurred. Another technique is to duplicate the layer first, apply the impressionist brush to the top layer, and then, with the Eraser tool (set to a low opacity of around 20%), carefully erase some of the top layer to reveal the real imag...