Book Image

Mastering Adobe Photoshop Elements 2021 - Third Edition

By : Robin Nichols
Book Image

Mastering Adobe Photoshop Elements 2021 - Third Edition

By: Robin Nichols

Overview of this book

Managing thousands of images while producing perfectly edited results is now a must-have skill for online bloggers, influencers, vloggers, social media users, and photography enthusiasts. Photoshop Elements helps you to manage this easily and boost your creative output. This third edition is updated with Elements 2021’s latest features and focuses on Adobe's AI-powered features along with the entire creative workflow. Each chapter is designed to help you get the most out of your image files in an easy way. You’ll learn how to add significant visual improvements to your work using no more than a few one-click edits with AI-driven features and manual adjustments. The book is filled with useful instructions to guide you seamlessly through the often complex processes, tools, and features in Photoshop Elements. Finally, you’ll cover everything from developing your organizational skills through to creating remarkable special effects, complex text, image combinations, and eye-popping visual techniques using both AI-driven features as well as manually operated tools. By the end of this Photoshop Elements book, you'll have learned how to leverage the impressive tools available in Photoshop Elements 2021, and use them to greatly improve your photo editing and image retouching skills.
Table of Contents (13 chapters)

Retouching: the Burn, Dodge, and Sponge Tools

The Burn, Dodge, and Sponge Tools are probably the best unsung heroes of Elements. Why? Simple: they are easy to use and are very effective visually.

The Burn and Dodge tools are electronic representations of what I did for years in a black and white printing lab. "Burning-in" a photo was a technique for making part of a print darker than the rest of the image—using something like a cardboard mask with a hole in it to make it happen. After the base exposure was done, I'd continue to expose the print—but only the bits of it that I needed to go darker—by holding the cardboard mask between the enlarger lamp and the photo paper. By gently moving the card mask so that the additional exposure only fell onto the area, I could manipulate the global exposure to that of a custom exposure. The dodging tool worked in reverse—a bit of card taped to some wire and held between the enlarger lamp and photo paper...