Book Image

The Ultimate Studio One Pro Book

By : Doruk Somunkiran
Book Image

The Ultimate Studio One Pro Book

By: Doruk Somunkiran

Overview of this book

The Ultimate Studio One Pro Book is a detailed, step-by-step guide to creating music with Studio One’s extensive set of production tools. This practical, goal-oriented resource will help musicians start producing their own music with Studio One and teach audio professionals how to include Studio One in their production workflow. The book begins by showing you how to set up Studio One to work smoothly on your system. The following chapters will walk you through the process of creating a project, along with recording audio and using virtual instruments to construct a MIDI arrangement. As you advance, you’ll find out how to edit your songs to perfection using Melodyne, Audio Bend, and an extensive collection of MIDI modifiers. You’ll also discover how to mix in Studio One with the effects plugins included in it, along with applying audio mastering in the Project window. Throughout this book, you’ll gain the skills needed to leverage Studio One confidently and effectively, as well as build your own unique music production workflow. By the end of this book, you’ll be able to effortlessly translate your musical ideas into complete songs using Studio One’s powerful tools.
Table of Contents (23 chapters)
1
Part 1: Getting Started with Studio One
5
Part 2: Creating in Studio One
9
Part 3: Editing in Studio One
14
Part 4:Mixing and Mastering

Introducing MIDI

MIDI stands for Musical Instrument Digital Interface. It’s a communications protocol that allows electronic musical instruments to talk to one another. It was introduced as a technical standard in the 80s to make life easier for electronic musicians with lots of gear. A keyboard player in a rock band would be able to go on stage with just one keyboard and use it to play several devices tucked away on a rack at the back of the stage.

As computers became more and more common, it didn’t take long for people to realize that since the signal going from that keyboard to the devices at the back of the stage was purely digital, it could be easily stored and processed on a computer. This was ground-breaking: people could now perform their musical ideas on a keyboard, record those performances on a computer, and then go back and edit them just like editing text with a word processor. Not only could they fix their mistakes after the performance, but they could...