Book Image

Mastering Adobe Photoshop Elements - Sixth Edition

By : Robin Nichols
Book Image

Mastering Adobe Photoshop Elements - Sixth Edition

By: Robin Nichols

Overview of this book

Dive into the world of digital photo editing with this latest edition, crafted by a seasoned photographer and digital imaging expert, and harness the full potential of the latest Photoshop Elements 2024. With a unique blend of in-depth tutorials and practical applications, this book is an essential resource for photographers at all levels. Alongside introducing new features like Dark Mode, Match Color, and Photo Reels, as well as advanced techniques like layering and artistic effects, this book addresses common user feedback from previous editions, ensuring a refined and user-friendly experience. With the help of this guide, you’ll learn how to leverage AI to stitch widescreen panoramas, remove people from backgrounds, defocus backgrounds, recompose images, and even create a range of calendars and greeting cards for your friends and family. You’ll take your prowess to the next level by learning how to correct optical distortion, reshape images, exploit layers, layer masking, and get to grips with sharpening techniques to create the perfect picture or imaginative fantasy illustration. The online realms of animation, video creation, and third-party plugins will also be covered. By the end of this book, you'll know how to leverage the incredible features of Photoshop Elements 2024 with complete confidence.
Table of Contents (15 chapters)
Free Chapter
1
Color keys

The Basics of Image Editing

To many, image editing, or more specifically, the word Photoshop, conjures up ideas of fantastical landscapes, or of portraits of impossibly beautiful people retouched to the brink of plausibility and beyond.

If you are not interested in taking your creativity into the realm of photo illustration or image composites, you'll more than likely use photo editing to make your digital photos look exactly as they appeared when the shutter button was first pressed.

But why would we need this sort of artificial aid in the first place? It's a frequently asked question, and the simple answer is that what we see is not always what our camera records. This is because we have a brain that can be very flexible when it comes to processing the visual information it receives from any scene, whereas a camera simply responds to the light it is pointed at with essentially a rather limited ability to translate that information into a faithful, realistic reproduction...