Book Image

Mastering Adobe Photoshop Elements - Sixth Edition

By : Robin Nichols
Book Image

Mastering Adobe Photoshop Elements - Sixth Edition

By: Robin Nichols

Overview of this book

Dive into the world of digital photo editing with this latest edition, crafted by a seasoned photographer and digital imaging expert, and harness the full potential of the latest Photoshop Elements 2024. With a unique blend of in-depth tutorials and practical applications, this book is an essential resource for photographers at all levels. Alongside introducing new features like Dark Mode, Match Color, and Photo Reels, as well as advanced techniques like layering and artistic effects, this book addresses common user feedback from previous editions, ensuring a refined and user-friendly experience. With the help of this guide, you’ll learn how to leverage AI to stitch widescreen panoramas, remove people from backgrounds, defocus backgrounds, recompose images, and even create a range of calendars and greeting cards for your friends and family. You’ll take your prowess to the next level by learning how to correct optical distortion, reshape images, exploit layers, layer masking, and get to grips with sharpening techniques to create the perfect picture or imaginative fantasy illustration. The online realms of animation, video creation, and third-party plugins will also be covered. By the end of this book, you'll know how to leverage the incredible features of Photoshop Elements 2024 with complete confidence.
Table of Contents (15 chapters)
Free Chapter
1
Color keys

The Editing Workflow and Best Practices

Nearly all digital photos need some form of adjustment to make them appear as the scene did when the image was first captured - cameras don't see the world the same way as the human eye. JPEG files are processed and compressed in the camera while RAW files are not. That's why JPEGs often look better than RAW files once on a big monitor. But, in challenging light, such as in the burning tropical sun we see in the image comparison below, a JPEG file, on close inspection, will exhibit a number of flaws, such as lost highlights and blocked-in featureless shadows. Some photographers can accept this - but, if you wanted to see all the tones in the bird's foliage, for example, you would have to record it using a RAW file because it contains far more image data that can be recovered and processed than a JPEG file. JPEGs are '8-bit files' - these contain considerably less picture information than a 10- or 14-bit RAW file.

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