Book Image

Mastering Adobe Photoshop Elements - Sixth Edition

By : Robin Nichols
Book Image

Mastering Adobe Photoshop Elements - Sixth Edition

By: Robin Nichols

Overview of this book

Dive into the world of digital photo editing with this latest edition, crafted by a seasoned photographer and digital imaging expert, and harness the full potential of the latest Photoshop Elements 2024. With a unique blend of in-depth tutorials and practical applications, this book is an essential resource for photographers at all levels. Alongside introducing new features like Dark Mode, Match Color, and Photo Reels, as well as advanced techniques like layering and artistic effects, this book addresses common user feedback from previous editions, ensuring a refined and user-friendly experience. With the help of this guide, you’ll learn how to leverage AI to stitch widescreen panoramas, remove people from backgrounds, defocus backgrounds, recompose images, and even create a range of calendars and greeting cards for your friends and family. You’ll take your prowess to the next level by learning how to correct optical distortion, reshape images, exploit layers, layer masking, and get to grips with sharpening techniques to create the perfect picture or imaginative fantasy illustration. The online realms of animation, video creation, and third-party plugins will also be covered. By the end of this book, you'll know how to leverage the incredible features of Photoshop Elements 2024 with complete confidence.
Table of Contents (15 chapters)
Free Chapter
1
Color keys

Local Retouching: the Burn, Dodge, and Sponge Tools

The Tool Bar's Burn, Dodge, and Sponge Tools are probably the best unsung heroes of Elements. Why? Simple: they are easy to use and visually, are very effective.

The Burn and Dodge tools are electronic representations of what I did for years in a black and white printing lab. "Burning-in" a photo was a technique for making part of a print darker than the rest of the image—using something like a cardboard mask with a hole in it to make it happen. After the base exposure was done, I'd continue to expose the print—but only the bits of it that I needed to go darker—by holding the cardboard mask between the enlarger lamp and the photo paper. By gently moving the card mask so that the additional exposure only fell onto the targeted area, I could manipulate the global exposure to that of a custom exposure. The dodging tool worked in reverse—a bit of card taped to some wire and held between...