Book Image

The Music Producer's Ultimate Guide to FL Studio 21 - Second Edition

By : Joshua Au-Yeung
Book Image

The Music Producer's Ultimate Guide to FL Studio 21 - Second Edition

By: Joshua Au-Yeung

Overview of this book

The Music Producer's Ultimate Guide to FL Studio 21 is the essential handbook for any aspiring or professional music producer looking to take their craft to the next level. This comprehensive guide covers everything you need to make the most of FL Studio 21's powerful tools and features. You will learn the secrets to creating professional-sounding music, from creating chord progressions to tailoring your sounds to perfection with compression, equalization, and stereo width effects. You'll begin by getting up-and-running with FL Studio 21, creating a beat, and composing a melody. Once you're familiar with the piano roll and mixer console you'll learn how to use plugins to create your own instruments, explore audio width effects, and engage in sound design. You'll get insights into mixing and mastering, as well as promoting and selling your music. This new edition covers some of the most popular features and plugins in FL Studio 21, including FLEX, Luxeverb, Vintage Chorus, Vintage Phaser, Distructor, Fruity Newtime, VFX Sequencer, Pitch Shifter, Frequency Shifter, Fruity Granulizer, Multiband Delay, and Frequency Splitter.
Table of Contents (20 chapters)
1
Section I: Getting Up and Running with FL Studio
6
Section II: Music Production Fundamentals
14
Section III: Postproduction and Publishing Your Music
18
Other Books You May Enjoy
19
Index

Vocals effect processing best practices

Let’s discuss some best practices to process your vocals.

It’s best to record dry vocals without any effects. You can always add in and swap out effects later. If you need to hear how an effect will sound for reference while recording (such as when using an autotune or vocoder tool), record the dry vocals at the same time as the effected vocals on two separate channels so that you end up with access to the dry vocals, in addition to any effected vocals.

When applying effects on vocals, there’s an order that’s usually followed. The following order is a suggestion, not a mandatory rule. This order is here to help you get a natural sounding vocal where each effect helps to build on the previous one rather than interfere. If you find any of the following terms confusing regarding compressing or EQ, revisit Chapter 6, Compression, Sidechaining, Limiting, and Equalization.

Here’s a suggested order to...