Book Image

The Music Producer's Ultimate Guide to FL Studio 21 - Second Edition

By : Joshua Au-Yeung
Book Image

The Music Producer's Ultimate Guide to FL Studio 21 - Second Edition

By: Joshua Au-Yeung

Overview of this book

The Music Producer's Ultimate Guide to FL Studio 21 is the essential handbook for any aspiring or professional music producer looking to take their craft to the next level. This comprehensive guide covers everything you need to make the most of FL Studio 21's powerful tools and features. You will learn the secrets to creating professional-sounding music, from creating chord progressions to tailoring your sounds to perfection with compression, equalization, and stereo width effects. You'll begin by getting up-and-running with FL Studio 21, creating a beat, and composing a melody. Once you're familiar with the piano roll and mixer console you'll learn how to use plugins to create your own instruments, explore audio width effects, and engage in sound design. You'll get insights into mixing and mastering, as well as promoting and selling your music. This new edition covers some of the most popular features and plugins in FL Studio 21, including FLEX, Luxeverb, Vintage Chorus, Vintage Phaser, Distructor, Fruity Newtime, VFX Sequencer, Pitch Shifter, Frequency Shifter, Fruity Granulizer, Multiband Delay, and Frequency Splitter.
Table of Contents (20 chapters)
1
Section I: Getting Up and Running with FL Studio
6
Section II: Music Production Fundamentals
14
Section III: Postproduction and Publishing Your Music
18
Other Books You May Enjoy
19
Index

Understanding compression

When mixing, we call the range in volume from loud to quiet the dynamic range. Compression is an effect to be applied to a sound to reduce the dynamic range. After compression is applied to a sound, the loudest parts of the sound become quieter relative to the quieter parts. The volume of the whole sound is then raised. Reducing the dynamic range means that you have less change between the quietest and the loudest parts of your sound.

Why would you want to use compression? Imagine you were having a conversation with someone and wanted someone else to hear a recording of the dialog. In the recording, some parts of the dialog might be really loud while others might be quiet. You might whisper in some parts and yell in others; you might move close to or further away from the microphone. All of these factors will affect the volume of the end result of the recording. For someone listening to the recording, you don’t want them to be struggling to hear...