Book Image

The Music Producer's Ultimate Guide to FL Studio 21 - Second Edition

By : Joshua Au-Yeung
Book Image

The Music Producer's Ultimate Guide to FL Studio 21 - Second Edition

By: Joshua Au-Yeung

Overview of this book

The Music Producer's Ultimate Guide to FL Studio 21 is the essential handbook for any aspiring or professional music producer looking to take their craft to the next level. This comprehensive guide covers everything you need to make the most of FL Studio 21's powerful tools and features. You will learn the secrets to creating professional-sounding music, from creating chord progressions to tailoring your sounds to perfection with compression, equalization, and stereo width effects. You'll begin by getting up-and-running with FL Studio 21, creating a beat, and composing a melody. Once you're familiar with the piano roll and mixer console you'll learn how to use plugins to create your own instruments, explore audio width effects, and engage in sound design. You'll get insights into mixing and mastering, as well as promoting and selling your music. This new edition covers some of the most popular features and plugins in FL Studio 21, including FLEX, Luxeverb, Vintage Chorus, Vintage Phaser, Distructor, Fruity Newtime, VFX Sequencer, Pitch Shifter, Frequency Shifter, Fruity Granulizer, Multiband Delay, and Frequency Splitter.
Table of Contents (20 chapters)
1
Section I: Getting Up and Running with FL Studio
6
Section II: Music Production Fundamentals
14
Section III: Postproduction and Publishing Your Music
18
Other Books You May Enjoy
19
Index

Exporting audio for third-party mixing and mastering

If you want your music mastered, but don’t think you have the skills or plugins to do it yourself, one option is to hire a mastering engineer. One benefit a mastering engineer can provide is an independent set of ears. They will hear your song from an outsider’s perspective and may pick up on flaws or ways to enhance your music that you wouldn’t think of.

The mastering engineer will request that you do not put any limiters on your mastering track before sending them the track. They will likely request you leave some volume headroom in the master channel – usually at least 3 db - 6 db of headroom so that they have some volume space play around with. They like it when you give them lots of headroom. The more headroom you give them, the more noticeable the mastering effect will be on the song.

If you want to send a song to a third party to mix or master your music, you should send all the audio from...