Book Image

The Music Producer's Ultimate Guide to FL Studio 21 - Second Edition

By : Joshua Au-Yeung
Book Image

The Music Producer's Ultimate Guide to FL Studio 21 - Second Edition

By: Joshua Au-Yeung

Overview of this book

The Music Producer's Ultimate Guide to FL Studio 21 is the essential handbook for any aspiring or professional music producer looking to take their craft to the next level. This comprehensive guide covers everything you need to make the most of FL Studio 21's powerful tools and features. You will learn the secrets to creating professional-sounding music, from creating chord progressions to tailoring your sounds to perfection with compression, equalization, and stereo width effects. You'll begin by getting up-and-running with FL Studio 21, creating a beat, and composing a melody. Once you're familiar with the piano roll and mixer console you'll learn how to use plugins to create your own instruments, explore audio width effects, and engage in sound design. You'll get insights into mixing and mastering, as well as promoting and selling your music. This new edition covers some of the most popular features and plugins in FL Studio 21, including FLEX, Luxeverb, Vintage Chorus, Vintage Phaser, Distructor, Fruity Newtime, VFX Sequencer, Pitch Shifter, Frequency Shifter, Fruity Granulizer, Multiband Delay, and Frequency Splitter.
Table of Contents (20 chapters)
1
Section I: Getting Up and Running with FL Studio
6
Section II: Music Production Fundamentals
14
Section III: Postproduction and Publishing Your Music
18
Other Books You May Enjoy
19
Index

Using the piano roll

The piano roll is the tool for composing melodies. The piano roll is essentially a piano with a timeline. On the y axis, note pitches are shown, and on the x axis, time is divided into a grid of beats and smaller increments of beats. Notes are displayed as horizontal bars, as shown in the following screenshot:

Figure 3.1 – Piano roll

Let’s talk about what the piano roll is great at. The piano roll is really good at taking a melody and mapping out the exact timing. It’s easy to generate chords and experiment with notes that complement your melody. It’s also good at comparing the timing of notes to other instruments playing in the same pattern and jumping between instruments. We’ll explore these in detail throughout the chapter.

If you need help with coming up with melody ideas, here are a few quick suggestions. I like to have a physical instrument nearby that I can use to experiment with chords or a melody. I...