Book Image

The Music Producer's Ultimate Guide to FL Studio 21 - Second Edition

By : Joshua Au-Yeung
Book Image

The Music Producer's Ultimate Guide to FL Studio 21 - Second Edition

By: Joshua Au-Yeung

Overview of this book

The Music Producer's Ultimate Guide to FL Studio 21 is the essential handbook for any aspiring or professional music producer looking to take their craft to the next level. This comprehensive guide covers everything you need to make the most of FL Studio 21's powerful tools and features. You will learn the secrets to creating professional-sounding music, from creating chord progressions to tailoring your sounds to perfection with compression, equalization, and stereo width effects. You'll begin by getting up-and-running with FL Studio 21, creating a beat, and composing a melody. Once you're familiar with the piano roll and mixer console you'll learn how to use plugins to create your own instruments, explore audio width effects, and engage in sound design. You'll get insights into mixing and mastering, as well as promoting and selling your music. This new edition covers some of the most popular features and plugins in FL Studio 21, including FLEX, Luxeverb, Vintage Chorus, Vintage Phaser, Distructor, Fruity Newtime, VFX Sequencer, Pitch Shifter, Frequency Shifter, Fruity Granulizer, Multiband Delay, and Frequency Splitter.
Table of Contents (20 chapters)
1
Section I: Getting Up and Running with FL Studio
6
Section II: Music Production Fundamentals
14
Section III: Postproduction and Publishing Your Music
18
Other Books You May Enjoy
19
Index

Applying sidechaining

Sidechaining (also known as ducking) is a compression technique where you use the input of one sound source to determine when to compress a second sound. This technique is used extensively in pop and electronic dance music to sidechain bass instruments whenever a kick drum sound occurs. The result is a rhythmic pumping bass sound associated with the urge to tap your feet and bob your head.

Sidechaining in electronic dance music uses the following rationale: sidechaining the bass sound reduces the bass sound when the kick drum comes in. This frees up space to allow the kick sound transient to punch through and focuses your ears’ attention more on the kick.

It should be noted that sidechaining can be applied to any sound and doesn’t have to involve percussion at all. A sidechain pumping sound of an instrument can be used on its own. For example, you may want to sidechain the bass instrument, even if you don’t have any percussion playing...