Book Image

The Music Producer's Ultimate Guide to FL Studio 21 - Second Edition

By : Joshua Au-Yeung
Book Image

The Music Producer's Ultimate Guide to FL Studio 21 - Second Edition

By: Joshua Au-Yeung

Overview of this book

The Music Producer's Ultimate Guide to FL Studio 21 is the essential handbook for any aspiring or professional music producer looking to take their craft to the next level. This comprehensive guide covers everything you need to make the most of FL Studio 21's powerful tools and features. You will learn the secrets to creating professional-sounding music, from creating chord progressions to tailoring your sounds to perfection with compression, equalization, and stereo width effects. You'll begin by getting up-and-running with FL Studio 21, creating a beat, and composing a melody. Once you're familiar with the piano roll and mixer console you'll learn how to use plugins to create your own instruments, explore audio width effects, and engage in sound design. You'll get insights into mixing and mastering, as well as promoting and selling your music. This new edition covers some of the most popular features and plugins in FL Studio 21, including FLEX, Luxeverb, Vintage Chorus, Vintage Phaser, Distructor, Fruity Newtime, VFX Sequencer, Pitch Shifter, Frequency Shifter, Fruity Granulizer, Multiband Delay, and Frequency Splitter.
Table of Contents (20 chapters)
1
Section I: Getting Up and Running with FL Studio
6
Section II: Music Production Fundamentals
14
Section III: Postproduction and Publishing Your Music
18
Other Books You May Enjoy
19
Index

Steps of composing a song

Here’s a roadmap that you can keep in the back of your mind as you journey through making your songs. Rest assured, it’s easier than it sounds and is actually a lot of fun.

First, decide the parameters of the song. What mood, genre, and emotion do you want? Once your criteria are decided, come up with a melody and accompanying chords. Usually, the melody is experimented on with an instrument such as a keyboard or a guitar. You will likely go through a few iterations and drafts until you find a combination you like.

Now we have a melody and some accompanying chords. The melody notes are fed into a DAW as MIDI notes. From there, we select an instrument plugin to play the notes. This usually involves experimenting with different instrument plugins and possibly some sound design.

We add accompanying melodies and additional verses. We layer our instruments to thicken the sound. We add drums and percussion instruments to complement our melody. We add sound effects. This is a mix of single sound samples that could include percussion, rising and falling sounds, glitch effects, impacts, and drum fills.

If the song requires it, we record vocals. A vocalist is sought out and the song instrumental is sent to the singer to work on. Lyrics are written, and several vocal melody combinations are experimented with. The vocalist records the vocals. The singer and the music producer make adjustments to the song and go back and forth a few times, providing feedback to each other. The vocals are processed, usually separately from the instrumental at first, before adding the finished vocals back into the mix. Effects are applied to enhance the vocals.

We have our melodies, instruments, percussion, sound effects, and vocals. Now it’s time to begin mixing. Mixing is a process you take to polish your music and give it a professional feel. It requires understanding how instruments and sounds complement each other in a song and knowing how effects can enhance them.

This part gets very technical. This book will give you lots of tips and tricks to help you with mixing.

Our song is exported and shared with all parties involved. We give feedback to and collect feedback from each other and make adjustments.

Now it’s time for mastering. Mastering is what you do after you have a song that has been mixed. The goal is to make the song sound consistent regardless of what device you use to play the song. A song benefits from mastering in several aspects. It allows you to form a second opinion when listening to your song. It forces you to take a step back and re-evaluate your music from a distance from an audience’s perspective. Instead of tweaking individual notes and instruments, you’re now forced to think about how the song sounds as a whole package. What is the overall effect of the song on a listener? One way to think about mastering is that you’re thinking from a sales perspective. What will make this song have the widest appeal to listeners? This book will give you mastering tips and techniques.

Congratulations, you have a production-ready song! You register your music with the necessary organizations for your territory to prove your copyright ownership and that any rights and royalties belong to you.

You create music videos and cover art to give your audience something to look at while listening. Often, a song’s success is made or broken by the choice of visuals used.

You upload your music to an online distributor to sell your music on online stores and streaming platforms such as Spotify, Amazon, and so on. You upload your music videos to YouTube.

You leverage your social media and the existing fanbase you’ve curated ahead of time (hopefully). You self-promote your upcoming music release, tell everyone you know, and reach out to local outlets to play your music. Congratulations, you’ve published a song!

Composing a full song may seem like a lot of steps and quite technical, but rest assured, by the time you’ve finished this book, you’ll have a solid grasp of how to execute each of these steps. Hopefully, after going through this process, you’ll find it intuitive, fulfilling, and profitable.

So far, we’ve learned about music production from a high-level perspective. Now it’s time to get our hands dirty and start making music with FL Studio.