Book Image

The Pro Tools 2023 Post-Audio Cookbook

By : Emiliano Paternostro
Book Image

The Pro Tools 2023 Post-Audio Cookbook

By: Emiliano Paternostro

Overview of this book

Pro Tools has long been an industry-standard Digital Audio Workstation (DAW) for audio professionals, but it can often be overwhelming for new and experienced users alike. The Pro Tools 2023 Post-Audio Cookbook acts as a reference guide to the software and breaks down each stage of a project into manageable phases. From planning a session, editing a sequence, performing a mix to printing the final masters, you can approach this book either sequentially or peruse the self-contained recipes. You’ll come to grips with workflows for music production, motion picture, and spoken word production, helping you gain expertise in the area of your choice. You'll learn aspects of music mixing like side chain processing to keep instruments from overshadowing each other and conforming for motion picture. The author’s expertise with Pro Tools will help you discover and incorporate different techniques into your workflows. You’ll also learn to build consistent and replicable workflows and templates by understanding what happens behind the scenes in Pro Tools. With this cookbook, you’ll be able to focus on the creative aspects of your audio production and not get mired by the technical hurdles. By the end of this book, you’ll be well-equipped to handle even the most complex features of Pro Tools to deliver immaculate results for your clients.
Table of Contents (13 chapters)

Using expanders to create more “punch”

Previously in this book, we explored using compressors and limiters to increase the overall loudness of a track. While you can (and should) use this for many types of instruments, using an expander to bring out the transients or attacks first will ensure the impact of the instrument is heard over the other parts captured. Once again, we’ll use drums as our basis as it’s easiest to demonstrate.

Two parts of a drum kit that are easiest to conceptualize are the kick and overheads. A kick drum is usually supposed to sound like a hard percussive thud. A well setup and recorded kick drum might be able to achieve this sound without further processing, but more often the microphone will capture other parts of the kit and the “ring” of the kick drum as the impact resonates throughout the internal structure of the instrument. Overheads meant to capture the cymbals also have this challenge, although you usually...